How is the new edition of the Cambridge Latin Course being received by students in the Latin classroom? In this post, Joanna Johnson, Head of Classics at Solihull School, shares her first impressions of the new textbook, and some of her students' most interesting reactions!

What is a sensitivity reading, and how is it done? In this post, Pria Jackson reflects on her EDI work for the new edition of the Cambridge Latin Course, and on what the process can bring to our classrooms and our representations of the ancient world.

From accessible cultural background sections to more human stories, Elizabeth Hayes, Curriculum Lead Tutor at the University of Sussex, shares some first impressions of the new CLC 5th edition, Book II.

In this post, Director Caroline Bristow explores how the CLC's carefully constructed linguistic plan has been adapted to respond to ever tighter teaching schedules and exam pressures.

The household of Caecilius has gained a daughter in the new UK and International edition of the Cambridge Latin Course. In this post, Director Caroline Bristow introduces Lucia and explores the surviving evidence for the lives of girls like her in the Roman world.

The character Barbillus has made his way to Book I in the new UK and International edition. In this post, Director Caroline Bristow introduces the history behind the character and the evidence we used to better capture his Greco-Syrian-Egyptian heritage. 

From Quintus' little sister to the introduction of Barbillus as amīcus in Book I, there's lots to look forward to in the new edition. In this post, Director Caroline Bristow reflects on the narrative that students and teachers love and the changes you can expect from the new UK and International edition.

What’s in a name? As part of our series CLC: Past and Present, Anna Barker considers some discussions we could have in the classroom on characters’ names, and what they can tell us about the Roman world.

Can the CLC be read as an epic? In this post, part of our CLC: Past and Present series, Anna Barker finds some Virgilian echoes in the narrative of Quintus.

As part of our series CLC: Past and Present, Anna Barker reflects on the nature of the CLC as a continuous narrative which students follow throughout their school careers.

As part of our series on the CLC: Past and Present, Anna Karsten reflects on the role her father, David Karsten, played in the early history of the Cambridge Latin Course and the reasons the CLC continues to be much loved in the Classics classroom today.